Abstract: Aharya Abhinaya is one of the four modes of expression identified in Bharata’s Natyashastra, together with Angika, Vachika and Sattvika Abhinaya. Although it is frequently reduced to costume and ornamentation, its classical scope includes make-up, bodily colouring, jewellery, garments, hairstyles, stage properties, scenic construction and the visual representation of human, divine and non-human characters. This paper examines the concept of Aharya Abhinaya and analyses its aesthetic, kinetic, narrative and cultural influence on Bharathnatyam.....
Keywords: Aharya Abhinaya, Bharathnatyam, costume, ornamentation, make-up, visual aesthetics, characterisation, Indian classical dance.
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